Showing posts with label James Lapine. Show all posts
Showing posts with label James Lapine. Show all posts

Tuesday, October 28, 2014

Stephen Sondheim and James Lapine

By Gregory Kable, dramaturg, Into the Woods





Stephen Sondheim and James Lapine working on Into the Woods.


One of the most indispensable and influential artists in the contemporary theatre, Stephen Sondheim was born in New York City in 1930. Following his early mentorship by Oscar Hammerstein II, Sondheim attended Williams College in Massachusetts and studied with avant-garde composer Milton Babbitt. Entering his professional career, Sondheim wrote the lyrics for the Broadway musicals West Side Story (1957), Gypsy (1959), and Do I Hear a Waltz? (1965) as well as contributing to Candide (1973). In addition to Into the Woods, his works as composer-lyricist include A Funny Thing Happened on the Way to the Forum (1962), Anyone Can Whistle (1964), Company (1970), Follies (1971), A Little Night Music (1973), The Frogs (1974, revised 2004), Pacific Overtures (1976), Sweeney Todd (1979), Merrily We Roll Along (1981), Sunday in the Park with George (1984), Assassins (1990, expanded 1992), Passion (1994), and Road Show (2008). Sondheim’s numerous honors range from eight Tony Awards, including Best Score for Into the Woods, a 2008 Special Award for Lifetime Achievement in the Theatre, eight Grammys, and the Academy Award for Best Song for Dick Tracy (1990). He was inducted into the Theatre Hall of Fame in 1983, a Kennedy Center Honoree for Lifetime Achievement in the Performing Arts a decade later, and awarded the National Medal of Arts in 1996. Along with James Lapine, Sondheim received the 1985 Pulitzer Prize for Drama for Sunday in the Park with George, one of only eight musicals in Pulitzer history to earn that recognition. In commemoration of his eightieth birthday in 2010, Broadway’s former Henry Miller’s Theatre was renamed for Stephen Sondheim.


James Lapine was born in Mansfield, Ohio in 1949. He attended Franklin and Marshall College in Lancaster, Pennsylvania and the California Institute of the Arts in Valencia. While teaching advertising design at the Yale School of Drama, Lapine directed a production of Gertrude Stein’s Photograph which transferred to New York, winning him an Obie award. Lapine subsequently wrote and directed Table Settings (1980), Twelve Dreams (1985, revived 1995), and his stage adaptation of playwright Moss Hart’s autobiography Act One for the Lincoln Center Theatre (2014). On Broadway, Lapine has written the book for and directed Stephen Sondheim’s Sunday in the Park with George, Into the Woods (1987, and its 2002 revival), Passion, the 2010 revue Sondheim on Sondheim, and directed a concert version of Merrily We Roll Along at New York City Center (2012). Lapine collaborated with composer-lyricist William Finn on the landmark March of the Falsettos (1982) and its sequel Falsettoland (1990) later combined on Broadway as Falsettos (1992), Finn’s A New Brain (1998), and Little Miss Sunshine (2013). Additional directing credits range from the 1997 revival of The Diary of Anne Frank and David Henry Hwang’s Golden Child (1998) to William Finn and Rachel Sheinkin’s The 25th Annual Putnam County Spelling Bee (2005) and the 35th anniversary production of Annie (2012). Lapine co-produced and directed the Emmy nominated HBO documentary Six by Sondheim (2013), and wrote the screenplay for the upcoming film version of Disney’s Into the Woods. He has been nominated for twelve Tony Awards winning on three occasions, including two for Into the Woods, has received five Drama Desk Awards, the Peabody Award and the Pulitzer Prize. In 2011, Lapine was inducted into the Theater Hall of Fame.


Come see Into the Woods and A Midsummer Night's Dream at PlayMakers November 1 - December 7. For tickets, call 919.962.PLAY (7529) or visit our website.

Wednesday, October 15, 2014

"A Midsummer Night's Dream": Part 1


By Adam Versényi, Dramaturg, A Midsummer Night's Dream
Titania and Bottom (A Midsummer Night's Dream, IV-1) (c. 1790) oil on canvas. By Henry Fuseli . London, Tate Gallery


Both James Lapine and Stephen Sondheim’s Into the Woods and Shakespeare’s A Midsummer Night’s Dream trade upon the familiar. Into the Woods draws upon our familiarity with various fairytales, while A Midsummer Night’s Dream (1595-6) is perhaps the most familiar of Shakespeare’s comedies. How many reading these notes have heard of the play, studied the lines or performed them on stage, heard Mendelssohn’s music, viewed Fuseli’s painting, seen Balanchine’s ballet or Reinhardt’s film? Such familiarity creates a sense of expectation as we encounter each new rendition.


But familiarity also poses a danger. Will our memories too heavily shape our reception, blinding us as thoroughly as the juice of the magical flower blinds the eyes of the midsummer’s night lovers? With this new production, rehearsed and prepared for you, PlayMakers Repertory Company invites you to re-hear and revisit the play with us. If this is your first time viewing A Midsummer Night’s Dream of the play, welcome to its world.

Imagination is the driving force of the play. Theseus and Hippolyta imagine a new relationship based upon harmony and concord rather than conquest and heated battle. The four young lovers imagine and enact a constantly shifting web of relationships between themselves. Meanwhile, the Athenian craftsmen imagine something quite different for themselves as they prepare to perform Pyramus and Thisbe for the Duke’s wedding. Finally, Oberon and Titania imagine a fairy realm that replaces disjunction and discord with amity and love.

But in the world of Athens, where the humans come from, the imagination is largely constrained. The city is a rectilinear place ruled by law and absolute parental and governmental authority. A number of Shakespeare’s plays, A Midsummer Night’s Dream and As You Like It being the most prominent, depict worlds in which his characters escape parental and governmental authority by fleeing to the forest. The characters’ sojourn in “the green world” changes both them and the authoritarian environment they have fled. By the time they return, the characters have grown and the strictures of society have been loosened to the benefit of all.

To be continued Thursday...

Come see Into the Woods and A Midsummer Night's Dream at PlayMakers November 1 - December 7. For tickets, call 919.962.PLAY (7529) or visit our website.

Wednesday, October 8, 2014

Special Events for "Into the Woods" & "A Midsummer Night's Dream"


PlayMakers takes audiences into the darker reaches of the forest with two tales of magic and transformation in the theater’s annual rotating repertory event with Into the Woods and A Midsummer Night’s Dream Nov. 1 to Dec. 7.

Into the Woods is a multiple Tony Award-winning musical with music and lyrics by Stephen Sondheim and book by James Lapine. The show was originally directed on Broadway by James Lapine with orchestrations by Jonathan Tunick.

Into the Woods is paired with A Midsummer Night’s Dream reputed to be the theater’s first “fairy tale.” Shakespeare’s lyrical comedy weaves together a trio of stories set in a magical wood. During the course of a moonlit evening, four young lovers escape to the forest on a fantastic adventure, changing them forever.

Special events will include:


  • Oct. 13, 6 p.m.: a discussion with the directors and cast at McIntyre’s Books, Fearrington Village, Pittsboro;
  • Oct. 22, 6:30 p.m.: “The Vision Series-Directors in Conversation,” a behind-the-scenes preview with directors Haj and Cooper, in the Paul Green Theatre.
  • Nov. 1, 2, 4, 5, 6, 7: preview performances at 7:30 p.m.;
  • Nov. 8: opening day performances with Woods at 2 p.m. and Dream at 7:30 p.m.;
  • Nov. 11 (Woods) and 18 (Dream): all-access performances for attendees with special needs, with sign language interpretation and audio description;
  • Nov. 12 and 30 (Woods) and 19 and 23 (Dream): free post-show discussions with the creative team;
  • Nov. 13, 6 p.m.: "Table Talk: A Journey Inside Sondheim’s ‘Into the Woods’,” an evening of dinner, drinks and conversation at the Rizzo Conference Center in Chapel Hill. The event pairs a four-course meal with stimulating conversation exploring fairy tales, the meaning of wilderness, magic and producing the musical. Tickets are $80. Pre-registration is required, call (919)962-1544.
  • Nov. 22 (Woods) and 23 (Dream): open captioned performances; and,
  • Dec. 6 (Woods) and 7 (Dream): free post-show “Mindplay” discussions sponsored by the North Carolina Psychoanalytic Society. 

Come see Into the Woods and A Midsummer Night's Dream at PlayMakers November 1 - December 7. For tickets, call 919.962.PLAY (7529) or visit our website.