Daniel Weger |
I graduated with an MFA in costume
production in 2009, and have made my way to becoming one of few
remaining men’s patternmakers in New York. Recently, my Broadway
credits have included Of Mice and Men, The Book of Mormon, All
The Way, Annie, and a number of other stage productions and
films. While the numbers of studios have dwindled over the years,
there are still many theatrical houses that understand the necessity
of proper costume. The production values of all aspects of the
performance at PlayMakers are second to none, and are on par with
theatrical experiences in larger cities.
The Costume Production program at
Chapel Hill is one of the most respected costuming programs in the
country. The attention to detail, both technical and historical, is
evidenced in the student’s work on stage. For Assassins, I
paired designer Anne Kennedy’s research and renderings with my
training in classically tailored garments to create the suits for the
characters of John Wilkes Booth and Charles Guiteau. The
collaboration between a great designer and a knowledgeable costume
studio produces costumes that are not only structurally well
executed, but also in keeping with the designer’s vision for the
production. The suits in Assassins come directly from
historical research, with minimal modification for stage aesthetics
and actor mobility. Judy Adamson's costuming program brings these
historical designs to life with the same level of quality found in
Broadway houses. It was truly a delight to return to PlayMakers to
work with all of my old friends again, and I hope that everyone will
have as much fun watching this show as I have had helping create the
production.