Showing posts with label Cody Nickell. Show all posts
Showing posts with label Cody Nickell. Show all posts

Tuesday, April 21, 2015

Director Cody Nickell on imagining his "dream play," Mary's Wedding


In Mary's Wedding by Stephen Massicotte, two actors come together to create a dream sequence taking us through horse rides, battle scenes and tea parties that ultimately lead to the blossoming of their love. The character Charlie first addresses the audience and makes it perfectly clear that the events to follow are part of a dream. "I ask you to remember that," he says. Director Cody Nickell says the dreamlike setting allows the production to break all rules of time, space, and at times, even character.

Cody had many difficult questions to answer at the start of the production process. The dream moves from place to place quickly, leaving complicated theatrical elements for Cody to consider. While some may see these questions as challenges, Cody chooses to see them as gifts.
"How do you bring to life a horse for a cavalry charge when there is no horse? How do you show a moonlit battle between trenches on the front lines of World War I with only two actors? And maybe most interesting, for all its theatricality, how do you show the simple story at the heart of this play about two young people falling in love?"
While the staging can be difficult, the underlying story of Mary's Wedding is much simpler. It follows the relationship of two young people in love and the Great War that comes between them. To escape a thunderstorm, Charlie, played by Myles Bullock, and Mary, played by Carey Cox, seek shelter in an old barn. In this setting, their vulnerabilities are exposed and we see sparks of love develop between them almost immediately. The audience follows their budding romance, and ultimately, their separation when Charlie is taken off to war.
"It begins at the end and ends at the beginning. There are sad parts. Don’t let that stop you from dreaming it too. " - Charlie, in his first monologue from Mary's Wedding.
The many imaginative gifts the production staff conjures will awaken the imaginations of audience members as well. "This engagement of audience imagination makes the experience active for them, not passive; they become witnesses, not just observers," says Cody. The actors are on a journey, but they invite the audience along to experience the terror and the hope that Charlie and Mary encounter.

Jeff Adelberg's mystic skyscapes and lighting will be a key factor in the quickly changing time, place and mood of the dream sequence. And Cody says costume designer Jade Bettin took initial costume ideas and ran with them, doing spectacular research and paying attention to details that further conceptualize the journey both the actors and audience traverse. Jeff's lighting paired with Jade's period costumes will pique imaginations and transform the stage from a physical space, to a fantastical world with no limits.

Cody says he's thrilled to collaborate with scenic designer Daniel Conway once again. Daniel's set has a circular frame creating a portal through which the audience views the story. This portal takes us from Canadian plains to European battlefields on a dynamic set that will evoke the many settings explored by the young lovers.

Experience the dream of Mary's Wedding with us April 29th to May 3rd!

Click here for more information or call our box office at 919.962.7529.

Monday, March 5, 2012

"Closing the Henries"
by Kelsey Didion


Kelsey Didion
“…and so ends my catechism.”

I type this entry in limbo. Henry IV has just closed with a final matinee, and this evening will be the second-to-last performance of Henry V. It seems somewhat surreal that this massive journey is coming to an end. After 5 weeks of rehearsal, 6 weeks of shows, and what will be a grand total of 40 performances, these plays are in our bones. We’ve lived with these characters for so long, it’s hard to say goodbye to them.

Thankfully, these plays promise to have a lasting impression: the joy of witnessing Shawn Fagan follow Hal’s enormous journey; the privilege and delight of sharing scenes with Cody Nickell’s Hotspur; watching Jeff Cornell discover Pistol in the rehearsal hall; the music of all the different languages and dialects between these two shows; fitting two monarchies, a tavern, Wales, and various battlefields on our “wooden O”—and how could anyone ever forget Michael Winters’ Falstaff?

Saying goodbye to Henry IV and V leaves me with a great sense of pride in our company, our “band of brothers.” It’s been an incredible ride, one I am deeply grateful for and will always remember.

- Kelsey Didion

Tuesday, January 24, 2012

"Before we’ve even moved into the theatre" by Cody Nickell

Cody Nickell
by actor Cody Nickell

Cody Nickell plays Hotspur in Henry IV and Fluellen in Henry V.

     I write this blog post as the cast of The Making Of A King: Henry IV and Henry V gets ready to have its last rehearsal in the rehearsal space before moving into the theatre to start tech rehearsals. So far, it has been a fast and furious process, unlike anything I have ever been a part of.  The scope of the story that Joe Haj and Mike Donahue have set out to tell is breath taking and I have had an absolute blast watching my fellow cast mates and all the people involved wrestle this monster text down to the ground and build it back up into an exciting, moving, funny and surprising ride.

     The chance to see these plays done in conjunction with each other is such a rarity and to get to be a part of their creation here at PlayMakers means so much to me.  I saw my first production of a Shakespeare play right here at PlayMakers almost twenty years ago as a high school student in Chapel Hill (Twelfth Night).  I was absolutely amazed by the production and everyone involved (some of whom I am getting to work with on this show), and it went a long way in inspiring me to pursue theatre and acting as a career.  To get to come back home and explore the amazing words of Shakespeare on this stage with this group of people is thrilling to me.

     So in these plays, I am playing Hotspur in Henry IV and Fluellen in Henry V, and I have to say I couldn’t be happier about it.  Hotspur is an incredibly fun and complex character to play and one that I have always wanted to tackle.  I get a pretty great sword fight.  Grown boys playing with swords.  Always fun.  And it is one of my wife’s favorite characters in Shakespeare, and it certainly never hurts to impress your wife. 

     Some of the other highlights of this rehearsal process so far have been working with a composer in the room (an incredible Marc Lewis, creating an entire soundscape by himself), jumping from working with one director to the other, watching this incredible company of actors delve deeper and deeper into their characters, and when I’m not acting, I am having so much fun being an audience member (the tavern scenes in Henry IV are especially fun to watch with Mike Winters as Falstaff and Shawn Fagan as Hal leading their wacky band of brothers in all sorts of shenanigans).  The chance to see the characters develop over the course of these plays is amazing, especially the journey that Shawn is creating with Hal and Henry. It is a special thing to behold.

     And all this has happened before we’ve even moved into the theatre.  These next few weeks should be crazy and busy and exhausting but full of amazing new discoveries along the way to opening night.